Lin Yusheng's "Mobile Temple" artwork is a portable temple installed on a bicycle, which features a gold statue of the Meihualu Bodhisattva. Through this artwork, Lin attempts to address the historical relationship between Taiwan and the Netherlands, specifically the colonization of Taiwan by the Dutch. However, the artwork also allows for a broader discussion of cultural differences between the East and the West.

One way to discuss these differences is through the use of religious symbolism. The Meihualu Bodhisattva is a significant religious figure in Taiwan, and the gold statue used in the artwork is a reflection of the cultural importance of religious icons in Taiwanese culture. The use of the statue in a portable temple installed on a bicycle may seem unusual to Western audiences, who may be more accustomed to traditional church buildings and religious ceremonies. This contrast highlights the cultural differences between the East and the West in terms of religious practices and beliefs.

Another way to discuss cultural differences is through the use of materials and aesthetics. The artwork is made using materials and techniques that are specific to Taiwanese and Dutch cultures. The gold statue and the use of red and gold in the temple are common features in Taiwanese religious art, while the use of portable temples is a common practice in Taiwan. Meanwhile, the bicycle, which is the base of the artwork, is a common mode of transportation in the Netherlands. This blending of cultural elements demonstrates how the artwork can be viewed as a bridge between cultures and how cultural differences can be embraced to create something new and unique.